Benim Adım Sezgin...

kendime göre yaşıyorum ...
kendime göre nefes alıyorum...
İçimdeki seni anlamak istiyorum...
ama yaa yalansa ...
yer ve yalan,ses ve suskunluk...
her yerde ses var ama kendi içimde suskunluk...
konuşmak isterken bağıramamak...
hayat bir şekilde hep oyun oynuyor ...
kime veya nasıl derken ...
ses duymuştum bir bağırma ...
zeynep kamil...
biri hayata geliyordu içinde suskun ve cüretkar bi şekilde hayata merhaba dedi...
kendim zannetmedim ...
zannetme olasılığım zaten sınırlımı idi ...
olsa idi gereksiz yere hayatı yaşayan biri olabılme olasılığımda olabilirdi...
doğmadım...
doğan kardeşimdi...
şanslı coçuk...
o kadar şanslı idi ki doğduğunda parçasını sonradan yok etme gereksinimi duymadan doğarken kaybeden biri...
yaşam ona güldü ...
sonra doğdum ...
hayata merhaba dediğimde hiç aklımda yaşam yoktu...
yaşamak üzerine bi fikrim olmadan hayata merhaba dedim...
soramazdım ki...
hayatı, yaşamı...
zaman hızlıca akıp geçti...
on beşimde idim ...
izlemek istediğim yol belli olmalı idi ve çizmek istedim önümde olan bu yolu...
ama önce adımımın önünde olanı bi kalemle çizemezdim ki...
yada bir tebeşir ile...
sustum hayata ve yaşanılası şeylere galiba...
çocukluk ve edirne...
hafta sonları üç kuruşluk paralar ile istanbul sahaflar...
ve alınan ikinci el kitaplarla kendini eğitme kaygısı duymadan öğrenilen bilgiler...
koca bir çınar vardı beyazıtta korkardım o çınardan ve altındaki adamdan ...
hep uzak dururdum ve başka kitapçılardan kitap arardım...
yanlıştı o zaman bana ...
sokakta kitapları ulu orta satanlar...
birde sakallı ve gulyabani olanlar...
sonra öğrendim ki gulyabani yalan imiş...
yalan olan gerçeğin içinde gerçek dışı olanlar...
ama çocuktum...
susmalı artık...
düşünceler aklına gelmeden uykuya yatırmalı...
iyi geceler aklım...
günaydın dedim kendime...
kendime sakladıklarıma...
sadece kendine saklanmış yaşanılanları...
susmalı...
sessizce izlemeli olanları...
ama olan ne ise bakmalı...
ve yazmalı...
içinden geldiğince...hep bir umut olmalı idi hayat...
ama yaşam o yıllarda kolay değildi...
prometheusu tanıdım...
umudu tanıdım ...
kendime bir yol çizmeli idim artık...
istanbul,yaşam ,okumak,sanat....
hayallerimin içinde olan hayali yaşatma isteği değil gerçek olan ne ise onu yaşarken olabildiğince başarmak....
neyi....
hayatımda varolacak olan ne varsa hepsini...
ama olmadı...prometheus ta yalandı ...
beyazıtta koca çınarın altında kitap kapağı misali gulyabani gerçekti ama...
o kadar gerçekti ki bana merhaba dedi...
güldü...
kormuştum ama korkum çabuk ısındı...
hayatta beklemeli idim.sadece yapmalı idim...
ve yanlız yıllarım başladı...
hayata bir kez daha merhaba dedim....
merhabalarım da bitmeyecek,yanlızlıklarım da...
keşke hep yanımda olsa o yanlızlıklarım ve sarılsam,sarılsam...
istek ne idi bilmiyorum ama olan bi gerçek vardı...
başarmıştım...
marmara güzel sanatlarda idim ve heykel okuyordum...
sanat...yaşam...bakmak...görmek...stil...bilgi...duyarlılık...hissiyat...hümanizm...doğruluk...içtenlik...sevgi...değer...farklılık...
hepsi yalan....
gerçek olan tek şey hayallerin peşinde koşarken o hayallerin de bir hayal olduğunu öğrenmek...
öğrenirken kırbaş gibi suratında patlaması...
kimse farklı değilmiş...
sanatçı ruhu...
yalan...
ama yalanda bir gerçeklik ti...
en azından anlamıştım bunu,eeee buda bir başarma yarısı sayılırdı...
kimsenin içinde olmayan bir dürtü varsa içinde o dürtü bi şekilde sana şekil verir...
kendim olmalı idim hayatta ve devam...
yola devam...
çizmek,çizmek...
herşeyi görmek ve çizmek...
ama konuşamamak...
konuşamazsam yazarım...
yazıyorum şimdi sadece kendime ait olanları...
başkasının varlığındakiler bana ait değilse benimkiler de kimseye ait değildi...
ben sadece şimdi konuşuyorum kendimle...
okula ilk adımımı attığımda oraya ait olduğumu bilerek gitmiştim...
ben sanatçı olarak doğmuştum...
his...
sadece...
hislerde insanın en önemli uzvu idi...
yalan söylemezdi uzuvlar insana...
evet doğru bir seçimdi.her şey doğru idi...
ama bir hata vardı bir şekilde hissettiğim...
his...
bulamadım,anlayamadım da hiç bir zaman...
ama sanat vardı işte hayatta gerisi yalan olmalı idi...
öylede oldu zannedersem ki hala hayatın içinde nefes almaya çalışıyorum...
sevmeye gayret ediyorum sevgi bende uzak durma çabasında olsa bile...
her şey sevmek miş...
sadece sevmek...
severken yanlız olmak...
kelimeler hep dürterdi içimdeki beni...
insanların kelimelerle oynarken yaşam denilen sistemin içinde kendi kendilerine kurdukları tuzaklar ve...
o tuzakların gerçekliğinde kendilerinin boğulmaları...
farkında olmasalarda...
bakmamayı çabaladıkça üstüme gelen merdiven basamakları gibi yorardı içimde beni dürten kelimeler...
sürekli sana soru soran ve cevabı kendi veren o kelimeler...
içmeli idim dedim kendi kendime...
susturmak için içimdeki kelimeleri...
ben sarhoşken konuşamıyorsam ve kelimelerde anlamsızlaşıyorsa...
eeee...
sorun yoktu o zaman....
zekilik değil sadece basit bir ahmak hesabı idi yaptığım...
korkuların üzerine korkularla gitme alışkanlığın bulunuyor ve bilinmez bi kaçmanın tam ucuna kadar gidiyordum...
ama daha olgun değildim...
çok gençtim...
herşeyi bildiğimi zannederken esasında korktuğum hayatta başarı için tutunmaya çalışıyordum...
ve her adımım çok zor geçiyordu...
kendimden bi şeyleri bekleme isteğimin o yıllarda bir durağı yoktu..
ki o durakta durup nefes almak nedir bilemezdim...
ben gençtim o yıllarda...
büyümenin ne olduğunu bilemezdim...
bana kimse öğretmemişti zamanı...
bu yüzden uykularda kaçmayı tercih ettim...
kendi kendime uyurken ellerime sarılıp uyumayı öğrendim...
yanlızlığı öğrendim...belkide...
yanlızlık benim...
yanlızlıktan kurtulmak uzun süremezdi...
çünki bendim...
uykular devam eder ama yanlızlık hayır...
büyürken büyümenin keyfini ve hayatı yaşamalı idim...
heykel öğreniyordum...
heykeli yaşıyordum...
heykel yaşamdı...
yanlızlık,yaşam değil sonsuzluktu...
sonsuzlukla sorunum olmadan sadece yaşamın içindekileri yaşamak üzerine sorgular sormalı idim...
devam...
devam...
geçliğimin ve hayatı anlamamdan dolayı idi galiba hep karamsar bi şekilde yanlızım demem...
ama büyümemiştim...
sorma dedim kendine yaşa sadece...
yaşarken yaşamın içindeki hayatı keşfetmek için çaba sarfetmeli idim...
sevmeli idim...
ve sevgi girdi hayatıma olmadık bir anda...
yanlızlık bir anda yalan olurmuş hayatta...
mutlu olsam ne olacaktı ki...
bir gün gelipte bir masal misali hatıraların içinde var olan kahramanlar misali hatırlanmaktan öteye gidemezmiş...
hayat ve sevgi...
seviyordum...
ama şimdi unuttum...
kenara attığın ajandada kalan şahıs misali...
şimdi uyumalıyım...
iyi geceler aklım...
günaydın...
günaydın sabaha...
sabah olmasa...
yalan olsa ölüm...yalan olsa sevdiklerimin acıları...
sevdiklerimin önüne açılmasa kuyular...
ama...
yolumda açılır kuyular...
okuduğum tüm sayfaları doldurdular o kuyuya...
baktım...
baktım...
ama bakmak yeterlimi olurdu....
okudum ama yanlıştı yazanlar ...
ölüm vardı yazılanlarda sevdiklerini kaybedenlerinin sevgi duvarlarında içinde geldiğince yazdıklarında...
kanayan içlerinde getirilmeyen bir çocuk gibi..
niye niye sordum sürekli...
ama sorguların sadece içinde varolan dışavurumları gibi tekrarından öte gitmedi..
sessiz bir gecedeyim...
kimse görmüyor kalp atışlarımı...
her şey bitse...
herkez gitse...
kimse görmesede...
ben üşüsemde...
erken sabahların vakti gelince susmadan içimden geldiğince konuşamadan...
sus...
sus...
içimdeki şarkım devam ediyor..
dinlediğim şarkılarda anlamadığım bir dilde masallar anlatılıyor....
yerlebir olmuş bir dünyada unutulmak pahasına...
sussam...
avutsam kendimi...
yalanlarla...
dolansam....
unutsam...
paylaşmadan kendimi hiç olmamış gibi tekrar...
tekrar sussam...
uyusam...
iyi geceler aklım....
günaydın...
günaydın tekrar sabaha...
içimde varolan dünyaya...
benim içinde olduğum ama benden uzak bir dünya...
isteyipte varolmak için çaba sarfetmeyeceğim bir dünya...
sevipte kahrolmayacağım...
alıkoyupta salıvermeyeceğim...
anlayıpta duymayacağım....
boşuna kelime oyunları ile kendimi parçalamayacağım ....
bir dünya işte kimine göre varolan ...
belkide hayal olan...
bana göre hayal olan....
hayal umuttu...
Yaşam bir umuttu...
hep varolan içimizde ama hiç anlam verilmeden sorgular sorduğumuz...
kimin yanında idi...
belki benim ,belki senin....
anlamı olmamalı idi...
sormalımıydık sorguların ne olduğunu...
her film izlediğinde sonunda istemek zorunda kaldığın ama sana ait olmayan hayallerin sorgularını...
belkide sormamalı...
sorgulamadan yaşaya bildiğin süreç içinde tadına varmalı...
bilmeden...
anlamadan...
bilmiyorum...
bilmekte istemiyorum...
aklım gelgitlerin içinde...
soru istemiyorum hayatımda...
cevap istemiyorum...
uyumadan ben olmak istiyorum...

SON ÇALIŞMAM...

Bazen susup hiç konuşmadan anlatmak istediklerimi söyleyebildiğim an...bazen içimdeki fırtınayı durdurduğum an...bazen umursamazca kendimi kaptırdığım an...bazen yaşadığımı anladığım an...bazen sevgi varmış dediğim ve hissettiğim an...galiba ben...

Bazen verdiğimiz kararlar sadece kendimizi değil herkesi etkiler...

Top Chef: Seven Deadly Chefs

Michael tells us that he wants to get immunity and sleep. He had a wisdom tooth pulled and is hopped up on pain meds. Padma, along with Ted Allen, informs the remaining chefs that immunity has been taken off the table. Cliff is like. That’s okay. I like to win for winning’s sake. Aww! How nice! We’ll see how he feels at the end of the competition if he’s not the TOP CHEF.
The contestants are then told they have to make something delicious and appetizing and mono-chromatic. Betty, who is really Captain Literal during these challenges, takes a bunch of asparagus, some limes and other green things and heaps it on a plate. It looks like garden vomit.
When Ted told her that hers was the worst, she replied that he was being ‘harsh’. Poor Betty! I’m so sick of her whining and complaining. Her food sucked and, if she can’t take criticism, she needs to get outta the kitchen and the competition.
Cliff, who is color-blind, had purple. He tried to match everything to an eggplant and made a lovely dish.
Michael, who had orange, made some awesome fried-carrot chips. He also made a nice piece of salmon. He ended up winning the challenge for both flavor, presentation and thought. He surprised everyone, especially the judges.
ELIMINATION CHALLENGE:
For the elimination challenge, the chefs choose knives with one of the seven deadly sins. Cliff loves this as the ‘sins’ are a passion of his. Michael, as the winner of the quick-fire, was able to switch his sin. He got lust but opted for Marcel’s envy. Stupid!
So, who got what?
Elia - PRIDE
Sam - ANGER
Ilan - GLUTTONY
Michael - ENVY
Marcel - LUST
Cliff - GREED
Betty - SLOTH
Sam and Marcel start arguing. Marcel then points out that it’s really funny how Sam is taking his sin – ANGER – to heart. Haha! I don’t love Marcel. He is a "selfish noodge", as Betty called him, but he really is entertaining.
They then have to present their dishes to Debi Mazar, her favorite chef, Roberto (I can’t remember his last name), Padma, Tom Colicchio, Ted Allen and some pals. Sam presents his wrathful shrimp ceviche with spicy popcorn. Next, Betty delivers some thick, slow-roasted soups that get stuck in the wine glasses she uses to serve them in. Not good.
Mike asks Sam to present his dish because he’s got an open wound on his face from the pulling of his wisdom tooth and is afraid it wouldn’t be too appetizing to the guests. When Sam introduces the dish, the crowd asks Michael to come out. He does and serves a salmon and trout dish because if he were “a trout, he’d envy a salmon.” Hehe!
Cliff presents his greedy bouillabaisse which is chock-full of seafood. Elia carves a proud roasted chicken with loads of yummy veggies. Marcel presents a lustful cherry dessert that has another foam on it. Finally, Ilan, who has been arguing quite a bit with Marcel, takes his dessert, with funky funnel cakes and all, out. It’s a gluttonous fudge cake with a macadamia nut brittle and funnel cakes that got hard like rocks and then were dipped in syrup. Oh yum! (I’m being sarcastic.)
He also tells the group that cherries lower the libido, an obvious reference to Marcel’s less than lustful dish.
FINAL OUTCOME:
In the end, Michael was deemed the winner. Tom even marveled at the win, saying that Michael should cook every week on pain medication. Haha! True that, Tom. Betty was sent home after she and Ilan ripped Marcel apart. Marcel says he’s not there to make friends, which is good ‘cuz he doesn’t really have any. He has plenty of enemies however.

SEVEN DEADLY SINS

Lust
Main article: Lust
Lust or lechery (carnal "luxuria") is usually thought of as excessive thoughts or desires of a sexual nature. Aristotle's criterion was excessive love of others, which therefore rendered love and devotion to God as secondary[citation needed]. In Dante's Purgatorio, the penitent walks within flames to purge himself of lustful/sexual thoughts and feelings. In Dante's "Inferno", unforgiven souls of the sin of lust are blown about in restless hurricane-like winds symbolic of their own lack of self control to their lustful passions in earthly life.

Extravagance
Main article: Extravagance
Extravagance (Latin, luxuria) is unrestrained excess. Extravagant behaviour includes the frequent purchase of luxury goods and forms of debauchery.
In the Romance languages, the cognates of luxuria (the Latin name of the sin) evolved to have an exclusively sexual meaning; the Old French cognate was adopted into English as luxury, but this lost its sexual meaning by the 14th century.

Gluttony
Main article: Gluttony
"Excess"(Albert Anker, 1896)
Derived from the Latin gluttire, meaning to gulp down or swallow, gluttony (Latin, gula) is the over-indulgence and over-consumption of anything to the point of waste. In the Christian religions, it is considered a sin because of the excessive desire for food or its withholding from the needy.
Depending on the culture, it can be seen as either a vice or a sign of status. Where food is relatively scarce, being able to eat well might be something to take pride in. But in an area where food is routinely plentiful, it may be considered a sign of self-control to resist the temptation to over-indulge.
Medieval church leaders (e.g., Thomas Aquinas) took a more expansive view of gluttony,[ arguing that it could also include an obsessive anticipation of meals, and the constant eating of delicacies and excessively costly foods. Aquinas went so far as to prepare a list of six ways to commit gluttony, including:
Praepropere - eating too soon.
Laute - eating too expensively.
Nimis - eating too much.
Ardenter - eating too eagerly (burningly).
Studiose - eating too daintily (keenly).
Forente - eating wildly (boringly).

Greed
1909 painting The Worship of Mammon by Evelyn De Morgan.
Greed (Latin, avaritia), also known as avarice or covetousness, is, like lust and gluttony, a sin of excess. However, greed (as seen by the church) is applied to a very excessive or rapacious desire and pursuit of wealth, status, and power. St. Thomas Aquinas wrote that greed was "a sin against God, just as all mortal sins, in as much as man condemns things eternal for the sake of temporal things." In Dante's Purgatory, the penitents were bound and laid face down on the ground for having concentrated too much on earthly thoughts. "Avarice" is more of a blanket term that can describe many other examples of greedy behavior. These include disloyalty, deliberate betrayal, or treason,[citation needed] especially for personal gain, for example through bribery . Scavenging[citation needed] and hoarding of materials or objects, theft and robbery, especially by means of violence, trickery, or manipulation of authority are all actions that may be inspired by greed. Such misdeeds can include simony, where one profits from soliciting goods within the actual confines of a church.
As a secular psychological concept, greed is an inordinate desire to acquire or possess more than one needs or deserves, especially with respect to material wealth.

Sloth
Main article: Sloth (deadly sin)
Gradually, the focus came to be on the consequences of acedia, rather than the cause, and so, by the 17th century, the exact deadly sin referred to was believed to be the failure to utilize one's talents and gifts.[citation needed] In practice, it came to be closer to sloth (Latin, Socordia) than acedia. Even in Dante's time there were signs of this change; in his Purgatorio he had portrayed the penance for acedia as running continuously at top speed.
The modern view goes further, regarding laziness and indifference as the sin at the heart of the matter. Since this contrasts with a more willful failure to, for example, love God and his works, sloth is often seen as being considerably less serious than the other sins, more a sin of omission than of commission.

Acedia
Main article: Acedia
Acedia (Latin, acedia) (from Greek ακηδία) is the neglect to take care of something that one should do. It is translated to apathetic listlessness; depression without joy. It is similar to melancholy, although acedia describes the behaviour, while melancholy suggests the emotion producing it. In early Christian thought, the lack of joy was regarded as a wilful refusal to enjoy the goodness of God and the world God created; by contrast, apathy was considered a refusal to help others in time of need.
When Thomas Aquinas described acedia in his interpretation of the list, he described it as an uneasiness of the mind, being a progenitor for lesser sins such as restlessness and instability. Dante refined this definition further, describing acedia as the failure to love God with all one's heart, all one's mind and all one's soul; to him it was the middle sin, the only one characterised by an absence or insufficiency of love.

Despair
Despair (Latin, Tristitia) In this context, Despair is the precipitating cause of suicide. Feelings of hopelessness, despondency, and impending doom, were not the same as the condition, melancholy. "If the man be bereft, give him solace. If he be in physical torment, give him medicine. If he be to the desire of death, give him hope. Reason, encouragement, and faith bring hope, therefore, use them liberally." Francis of Assisi Since sadness often results in acedia, Pope Gregory's revision of the list subsumed Despair into Acedia.

Wrath
Main article: Anger
Wrath (Latin, ira), also known as anger or "rage", may be described as inordinate and uncontrolled feelings of hatred and anger. Anger, in its purest form, presents with self-destructiveness, violence, and hate that may provoke feuds that can go on for centuries. Anger may persist long after the person who did another a grievous wrong is dead. Feelings of anger can manifest in different ways, including impatience, revenge, and vigilantism.
Wrath is the only sin not necessarily associated with selfishness or self-interest (although one can of course be wrathful for selfish reasons, such as jealousy, closely related to the sin of envy). Dante described vengeance as "love of justice perverted to revenge and spite". In its original form, the sin of wrath also encompassed anger pointed internally rather than externally. Thus suicide was deemed as the ultimate, albeit tragic, expression of wrath directed inwardly, a final rejection of God's gifts.

Envy
Main article: Envy
Like greed, Envy (Latin, invidia) may be characterized by an insatiable desire; they differ, however, for two main reasons. First, greed is largely associated with material goods, where as envy may apply more generally. Second, those who commit the sin of envy resent that another person has something they perceive themselves as lacking, and wish the other person to be deprived of it. Dante defined this as "a desire to deprive other men of theirs." Envy can be directly related to the Ten Commandments, specifically "Neither shall you desire... anything that belongs to your neighbour". In Dante's Purgatory, the punishment for the envious is to have their eyes sewn shut with wire because they have gained sinful pleasure from seeing others brought low. Aquinas described envy as "sorrow for another's good".

Pride
Main article: Pride
In almost every list Pride (Latin, superbia), or hubris, is considered the original and most serious of the seven deadly sins, and indeed the ultimate source from which the others arise. It is identified as a desire to be more important or attractive than others, failing to acknowledge the good work of others, and excessive love of self (especially holding self out of proper position toward God). Dante's definition was "love of self perverted to hatred and contempt for one's neighbour." In Jacob Bidermann's medieval miracle play, Cenodoxus, pride is the deadliest of all the sins and leads directly to the damnation of the titulary famed Parisian doctor. In perhaps the best-known example, the story of Lucifer, pride (his desire to compete with God) was what caused his fall from Heaven, and his resultant transformation into Satan. In Dante's Divine Comedy, the penitents were forced to walk with stone slabs bearing down on their backs to induce feelings of humility.

Vainglory
Main article: Vanity
Vainglory (Latin, vanagloria) is unjustified boasting. Pope Gregory viewed it as a form of pride, so he folded vainglory into pride for his listing of sins.
The Latin term gloria roughly means boasting, although its English cognate - glory - has come to have an exclusively positive meaning; historically, vain roughly meant futile, but by the 14th century had come to have the strong narcissistic undertones, of irrelevant accuracy, that it retains today. As a result of these semantic changes, vainglory has become a rarely used word in itself, and is now commonly interpreted as referring to vanity (in its modern narcissistic sense).

Art and music

Soulfly, the cover artwork for the album Omen (2010) depicts the seven deadly sins
Magenta, Seven, where the songs represent the seven daily sins (2004)
Hieronymus Bosch, The Seven Deadly Sins and the Four Last Things (1485).
Kurt Weill and Bertolt Brecht, The Seven Deadly Sins (Die sieben Todsünden) (1933)
Modern artist Paul Cadmus painted a series of graphically disturbing, anthropomorphic depictions of the seven deadly sins, in the style of comic books. After his death, this series was willed to the Metropolitan Museum of Art.
The album Heaven and Hell by Joe Jackson is a modern musical interpretation of the seven deadly sins.
The Tiger Lillies's new album and stage show 7 Deadly Sins is based on the sins being experienced by a modernized version of Punch and Judy (in itself a reworking of Adam and Eve) called "Punch and Jude".
The album Melankolia / XXX Couture by Danish rapper L.O.C. focuses on how the artist came into contact with each of the sins, and then how these sins have come to be culturally accepted.
Kendell Geers, "The Seven Deadly Sins" 2006: Series of 7 Ultra Violet neons exhibited at Stephen Friedman Gallery in London, Stedelijk Museum voor Actuele Kunst in Ghent Belgium, DA2 in Salamanca Spain and the 2007 Venice Biennial
The Deathstars song "Virtue to Vice" uses the seven deadly sins as a refrain following the chorus.

Film, television, radio, comic books and video games

There was a series of seven silent films made in 1917 that bore the series title, The Seven Deadly Sins, which began with Envy (1917), continued with Pride (1917), Greed (1917), Sloth (1917), Passion (1917), and Wrath (1917), and concluded with the synonymously titled The Seventh Sin (1917). The final installment was given that title because Gluttony was considered too offensive, and the producers couldn't come up with an adequate synonym.
The film The Devil's Nightmare is about a succubus who kills a group of tourists who are each guilty of one of the seven sins.
The original version of the film Bedazzled (1967) (remade in 2000) includes all seven sins; Raquel Welch as (Lillian) Lust, Barry Humphries as Envy, Alba as Vanity, Robert Russell as Anger, Parnell McGarry as Gluttony, Daniele Noel as Avarice, and Howard Goorney as Sloth.
In the film Seven (1995), written by Andrew Kevin Walker, directed by David Fincher and starring Brad Pitt and Morgan Freeman, a mysterious serial killer punishes transgressors of each of the deadly sins through his crimes.
The Magnificent Seven Deadly Sins (1971) is a British film built around a series of comedy sketches on the seven deadly sins, and referencing the classic Western film The Magnificent Seven.
In the video game Overlord, the seven heroes that the protagonist must defeat have all been corrupted by one of the seven deadly sins.
The Seven Deadly Sins (traditionally given as "The Seven Deadly Enemies of Man") figure prominently in the mythos of Fawcett/DC Comics superhero Captain Marvel, and have appeared several times as supervillains in recent DC Comics publications.
In the manga and anime Digimon, the Seven Great Demon Lords, each of whom represent one of the sins, are a major group of antagonists.
In the manga and anime Katekyo Hitman Reborn!, the member of Varia each match one of the Seven Deadly Sins, their Latin names, or the respective demons of the sins.
In the manga and anime Fullmetal Alchemist, each sin is used as the name of each member of a group of powerful false humans called "homunculi", with each homunculi's personality being based on the sin which they are named after.
In the videogame Devil May Cry 3, the seven deadly sins are represented by a group of common enemies, as well as by seven infernal bells. Fallen angels that personify the sins are also featured heavily in the prequel manga, in which they are important in summoning the bell-containing tower in the first place.
In an episode of America's Next Top Model, Cycle 4 each of the girls portrayed a deadly sin.
In the Philippines TV series Lastikman each major villain represents one of the deadly sins.
In the Norwegian TV show De syv dødssyndene (The Seven Deadly Sins), Christopher Schau attempts to invoke the wrath of God by carrying out each of the seven deadly sins. When Schau was talking about the show on the talk show Senkveld (Late Night), he said "If I don't end up in Hell, then there is no Hell." The program caused a great deal of public debate surrounding the issue of censorship.
In Matt Fraction's comic book Casanova, the series' issues are named, in Latin, for each of the seven sins, beginning with Luxuria.
Rengoku II: The Stairway to Heaven is based on eight levels of a tower, seven named after the sins, the eighth being Paradise.
In the webcomic Jack, the seven sins are personified by anthropomorphs. The main character, Jack, represents the sin of Wrath.
Mark Watson Makes the World Substantially Better fits the sins into a six part BBC radio series, with Greed and Gluttony combined as the 'similar sins'.
In Knight Online's Bifrost are monsters that can hunt for Fragments of the seven sins. Fragments can be turned into unique items, or collected to gain access to the chamber of Ultima.
In 11eyes, the Black Knights are named Avaritia, Ira, Invidia, Acedia, Gula, and Superbia.
In Umineko no Naku Koro ni, the Seven Stakes of Purgatory are named after Peter Binsfeld's temptor demons and propagate or embody a deadly sin. Their ages follow the order of Purgatorio, Lucifer (Pride) being the eldest and Asmodeus (Lust) the youngest.
A Pakistani Musical Band "Meekal Hasan Band" portrayed the concept of the seven deadly sins in their music video titled "Chal Buleya".
In Grand Fantasia, there are daily bosses based on the seven deadly sins.
In the manga Soul Eater, Team Spartoi has to pass through the chapters of the Book of Eibon, each of the chapters in one of the seven deadly sins starting with Lust.
In 2010 a miniseries called "Seven Deadly Sins" was aired on the Lifetime Movie Network, based on author Robin Wasserman's series of novels.
A game created by Dissolute Productions ™ called The Seven Deadly Sins is a RPG in which you must complete the seven deadly sins in order to complete the game, however, if you do this, you lose. If you do not however, you will win and go to heaven.
Sherwood Schwartz stated that he based the seven characters of Gilligan's Island on the seven sins with Pride represented by the Professor, Anger by the Skipper, Sloth by Gilligan, and so on.

(Wikipedia)

Yedi Ölümcül Günah(Seven Deadly Sins)

Hıristiyanlık inançlarına göre Yedi Büyük Günah, Temel Günahlar, Kardinal Günahlar olarak da bilinen, Roma Katolik Kilisesi'nin görüşleri çerçevesinde Papa I. Gregory tarafından düzenlenen, insanın hayatı boyunca sakınması gereken 7 günahtır.

Yeni Ahit'in Galatyalılar bölümünde Yedi Şeytani Hareket olarak geçmektedir.
Dante Alighieri'nin İlahi Komedya'sında sık değindiği konulardan biridir.

Yedi Ölümcül Günah

Günahların Latince adlarının ilk harflerinden oluşan SALIGIA, Yedi Ölümcül Günah 'ın diğer adıdır. Zaman içerisinde 7 günahtan her biri bir şeytani varlıkla ilişkilendirilmiştir.

1.Superbia: Gurur, kendini beğenmişlik (Lucifer'e atfedilmiştir)

2.Avaritia: Açgözlülük (Mammon'a atfedilmiştir)

3.Luxuria: Şehvet düşkünlüğü (Asmodeus'a atfedilmiştir)

4.Invidia: Kıskançlık, hasetlik (Leviathan'a atfedilmiştir)

5.Gula: Oburluk (Beelzebub'a atfedilmiştir)

6.Ira: Öfke, yıkıcılık, gazab etmek (Seytan Amon'a atfedilmiştir)

7.Acedia: Tembellik, miskinlik (Belphegor'a atfedilmiştir)

SALIGIA

Bazen Susar ve Anlatırsın...

ADI YOK...

Movies,Men,Women and ART...

To Wong Foo Thanks for Everything, Julie Newmar — Patrick Swayze, Wesley Snipes and John Leguzama are drag queens traveling from New York to Los Angeles in a convertible. They find themselves in a tiny town after their car breaks down and as expected have all types of interesting encounters. What’s especially entertaining to see is how comfortable these action actors look in womans wear.

Glen or Glenda — The movie itself isn’t exactly the best (nothing by Ed Wood ever was), but for this type of list I simply have to pay tribute to him. Here he plays a man keeping his cross-dressing a secret from his fiancé. It is said to be loosely based on his own love of getting dressed in the clothes of the opposite sex.

The Adventures of Priscilla, Queen of the Desert — Guy Pearce and Hugo Weaving play dress up and Terence Stamp is a transsexual who have a cabaret act in Sydney, Australia. When an opportunity comes to take the show on the road, they jump into a bus and travel across the Australian Outback. Along the way they run into some interesting situations.

The Birdcage — Nathan Lane is an out of his mind drag queen living with his boyfriend, played by Robin Williams. Things go further haywire when he must play it straight so Williams’ son can introduce them to his fiancé’s parents. Lane plays an exceptional feminine character.

Sorority Boys — After getting kicked out of their frat house for theft, Harland Williams, Barry Watson and Michael Rosenbaum dress up like chicks so they can crash at a local sorority. The premise is as absurd as it gets but it is funny as hell. The drunken frat party alone makes this a worthwhile watch.

Flawless — If you want to be frightened, check out Philip Seymour Hoffman as a pre-op transsexual. Scary. In this feature, he is a flamboyant, drag-act singer who, for extra cash, helps a homophobe (Robert DeNiro) with vocal lessons. They make the perfect Odd Couple and Hoffman shines as an openly gay man (a precursor to his Oscar win for his role in Capote).

Mrs. Doubtfire — Robin Williams dresses up as an elderly British woman and poses as a nanny so he can circumvent the bitter custody battle he has with his wife. This is one of the few roles where Williams acting like a hyperactive idiot actually adds character to his female persona.

Some Like It Hot — One of the classics. In this oldie but goodie, Jack Lemon and Tony Curtis dress like women to avoid getting knocked off by the mob. Curtis falls for Marilyn Monroe (who wouldn’t) while Lemon is chased down by Joe E. Brown. This movie is a comedy gem.

Tootsie — Dustin Hoffman can’t find work as an actor, so he comes up with an elaborate plan to dress up as a woman to find work. Needless to say, he makes the ugliest woman alive. But amazingly enough, he lands a dream gig and soon finds himself stuck when he falls for the lead Jessica Lange. Hoffman is great.

The Crying Game — This is the movie that had everyone and their mother fooled. Jaye Davidson is so convincing as a woman that it is impossible to not give this movie the top spot. Even without the shocking twist, this movie has plenty to offer. It is a must see.